English Classicist Painter, 1841-1893 He showed precocious artistic talent as a child and entered the Royal Academy Schools in London in 1858. His early work shows a Pre-Raphaelite influence common to his generation. The watercolour Study of an Ash Trunk (1857; Oxford, Ashmolean) is very Ruskinian in its precise handling of naturalistic detail. Moore made two visits abroad: in 1859 to France with the architect William Eden Nesfield and in the winter of 1862-3 to Rome with his brother John Collingham Moore. Elijah's Sacrifice (1863; exh. RA 1865; Bury St Edmunds, A.G.), one of Moore's earliest large-scale oil paintings, was executed while he was in Rome. Its biblical subject and sombre tone are typical of his output in the early 1860s and relate to the work of Ford Madox Brown and Edward Armitage.   Related Paintings of Moore, Albert Joseph :. | Pomegranites | Shells | Battledore | A Garden | Lilies |
Related Artists:
Charlotte Wahlstrom
painted Lake landscape at dusk in 1887
Hennessy, William John
English, 19th Century.was an Irish artist. William John Hennessy was born in Thomastown, County Kilkenny in 1839. His father, John Hennessy, was forced to leave Ireland in 1848 as a result of his involvement in the Young Ireland movement. He landed in Canada and settled in New York. William, his mother Catherine, and brother joined their father there in 1849. He gained admittance to the National Academy of Design in 1854 and exhibitioned his first works there. Hennessy developed a skill in wood engraving and was hired to illustrate the works of renowned poets, including that of Tennyson, Longfellow and Whittier. As an American he became the co-founder of the Artists?? Fund Society, and an honorary member of the American Society of Painters in Watercolours. In 1870 he moved to London where he became a member of the Royal Institute of Oil Painters in 1902.
James Stark
(November 19, 1794 - March 24, 1859) was an English landscape painter of the "Norwich School".Stark was born in Norwich, the youngest son of distinguished dyer Michael Stark (1748-1831, Scottish), and showed a talent for art from an early age. He was educated at the Grammar School where he was friends with John Berney Crome. He was then apprenticed for 3 years to John Berney's father, distinguished landscape artist John Crome, from 1811. In that same years he exhibited work at the Norwich Society of Artists (being elected a member in 1812,) and his work "A view on King Street river, Norwich" was shown by the Royal Academy, London. In 1814 he moved to London, exhibiting at the British Institution between 1814-18, winning a prize of £50 in 1818. In 1817 he entered the Royal Academy as a student, and eventually began to receive commissions for his work. Ill health forced Stark to return to Norwich after only 2 years study. There he devoted himself to painting the scenery around the city and executed a series of paintings of Norfolk rivers which were eventually engraved and published in 1834. In 1821 he married Elizabeth Younge Dinmore (d. 1834-35). In 1830, he again settled in London, taking up residence in Chelsea, and exhibited at the British Institution, Royal Academy and Society of British Artists. In 1839, he moved to Windsor, painting many pictures of the scenery of the Thames, but moved back to London in 1849 in order to further his son's education in art. Stark died at Mornington Place, Camden, London, in March 1859. Stark's only son, Arthur James Stark (1831-1902), born in Chelsea, London, became a landscapes and animal painter. On a few of his father's pictures he was employed to draw the cattle.